Starting with a copper panel as a blank canvas, he mixes enamel resin powders to create unique colours and, either using hand-made guides or working freehand, he sifts the powders onto the copper – element by element, layer by layer – before repeatedly firing. Using a hand-held butane torch, rather than a kiln, retains greater control over the firing process to craft the image to his design.
Honing and developing techniques to achieve his vision is the challenge that constantly drives him forward.